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Roman sculpture did, however, begin to search for new avenues of artistic expression, moving away from their Etruscan and Greek roots, and, by the mid-1st century CE, Roman artists were seeking to capture and create optical effects of light and shade for greater realism.
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Roman art is founded upon that of the Greeks; Roman sculpture is essentially the continuation and expansion of Greek sculpture. The formative age of Roman sculpture (and art generally) was the Republic (ca. 500 BC-0), while the mature age was the Empire (ca. 0-500).
The sculpture of it is still unknown. The Discobolus was completed towards the end of the severe period (460-450 BC). It is known through numerous Roman copies, both full-scale ones in marble, such as the first to be recovered, the Palombara Discopolus, or smaller scaled versions in bronze. As always in Greek athletics, the Discus Thrower is completely nude.
The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies".